Day 3.5

Not really half a day, but I kinda practiced last night and fully practiced tonight.

Last night, I had a FaceTime conversation with my daughter, who’s away at college.  It was great to talk to her, but after a long day of work the FaceTime conversation distracted me from playing guitar.  Sitting here at my desk, however, it was hard to keep my hands off the guitar while we talked.  I didn’t do anything deliberate; mostly noodling.

I found the distraction of talking while noodling on the guitar a rather interesting experience.  Rather than moving up and down the neck with a focused attention, my hands were moving up and down the neck with a sense of freedom.  There was an ease and comfort I felt, having freed my mind from the fretboard and letting my fingers work. Now, to be fair to anyone who reads these posts, I can’t admit that anything I was doing was too musical.

Despite any real musicality, I was playing the varieties of chords and chord progressions with a great deal of accuracy.  In addition, I was playing through my scale patterns (using a lot of legato and slides to accentuate my practice) with a great deal of fluidity.  Needless to say, it was fun.

The conversation with my daughter, while a distraction from deliberate, mindful practice sparked inspiration.  As I chatted with her, the guitar rang in the background. She hasn’t heard me play guitar in six or seven years.  She asked me, “Are you playing guitar again?”  I told her, “Yeah, I just picked it up again this past weekend.” She responded with an emphatic, “Yay, I’m happy for you!”

I was surprised by her happy, supportive response.  She knows, however, how much I’ve loved guitar but how elusive playing has been for me.  Nonetheless, her emphatic response further spurred my resolve to grind on.

I added a couple of songs to my repertoire today: Tin Man and Horse With No Name, both by America.  The chord progressions themselves aren’t difficult.  The strumming patterns, however, are a bit wonky.  I’ve never been much for trying to implement strict strumming patterns per the artist’s original implementation, but play by feel.  I’ve decided, however, that as I learn guitar this time around, I want to play each song with some sense of authenticity…realism.

I’d like to get the six songs I’ve been practicing locked down over the next month or so. In doing so, I’d like to move on to some more challenging material. But, what I’d really like to do is perform these songs somewhere, with someone else on vocals.

Anyway…here’s what practice looked like today.

Agenda for October 24, 2018

  • Alternate picking exercise
    • E harmonic minor scale on the open E string
    • 16th notes (60, 70, 80, 100 bpm)
  • String skipping exercise
    • Skipping strings through the 6th root minor pentatonic shape
    • 8th notes, (80, 90, 100, 112 bpm)
    • C root, G root, D root, A root, E root, B root
  • Legato exercise
    • Hammer-ons through the 6th root minor pentatonic shape
    • 8th notes, (80, 90, 100, 112 bpm)
    • C root, G root, D root, A root, E root, B root
  • Song Practice
    • Everybody Hurts – REM
    • Thinking Out Loud – Ed Sheeran
    • Horse With No Name – America
    • Tin Man – America

Today’s Time: 2 hour

Total Time: 4 hours

Time Remaining: 9,996 hours

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