Inspiration: Paul McCartney – Blackbird

Blackbird is a song I’ve recently added to my repertoire. I’m still using tab to learn a lot of stuff because I just don’t have the time to learn things by ear. A lot of the tabs out there, for purchase and in the public domain, are all over the place in terms of their takes on this song. The fun in learning to play this song has been to use the tabs as a reference point and the recordings and my understanding of chord shapes and theory to make this the most playable for my hands.

I’m learning to play quite a number of songs right now, most influenced by fingerpicking. While I aim to be diversified in my attack of the strings, I much prefer fingerpicking over a pick. I like that my fingers can be in a variety of places doing a variety of things, as opposed to using a pick. I also like the fatter sound I get out of the strings when I use my fingers. I tend to incorporate Travis picking into my playing, but also use my thumb and index finger to achieve an alternate picking technique when I want to play various licks that require a narrower focus.

On another note, I’m hoping to purchase an audio interface soon so that I can begin to document my progress. I currently spend time recording myself with the awful camera mic that comes with my Logitech webcam. While the camera, itself, does an adequate job of recording quality video, the mic leaves little to be desired.

Despite the fact I’m recording for myself right now, nerves get in the way. My brain becomes a jumbled mess and my fingers don’t work as they should – there’s a disconnect between brain and fingers when camera rolls. Ongoing practice and reflection while playing in this capacity will (hopefully) help me overcome the mental blocks I experience.

Anyway, time to practice. I’ve got several days (including today) that I’ll have to document tonight. By the time I’m done practicing today, I’ll have somewhere between 8-10 hours of practice these past four days.  Yay, me!

Days 14 & 15 – Regression Before Progression (and Stuff)

Got an hour in each of the last two nights. Pretty solid overall, but not great. I don’t know if I had off nights or if I work better when I get an hour warm-up with technical exercises before doing other things. Nonetheless, it felt as though I took a step back. On the other hand, past experience tells me that these bad practices usually mean a gain is soon to come. Gonna look for this to be my reality over the next day or two.

Didn’t get to play today. Well, I got a little bit in before I headed off to school. Noodled around with some finger style blues I’ve been learning. Also worked on creating some melodic runs in the progressions of these finger style blues jams. I love trying to figure out how to make a chord progression more melodic. I often neglect this because I don’t feel I’m very good at it. I should, however, dedicate more time to it so I get better at it. What’s more, the more I play around with it the more I realize I really can do it.

Anyway…had conferences until late this evening so I didn’t get a chance for any prolonged practice tonight. I do, however, have four straight days, starting Saturday, that I should be able to get 2+ hours per day (I’m aiming for 3 – 4 hours each day).

This post is my catharsis for the evening. With that, here’s a run-down of the past couple days.

Agenda for 11/6 and 11/7

  • Warm-ups/Technique
    • 1234, 4321
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
    • 1234, 2341, 3412, 4123
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up each string starting at high-E
    • 134, 341, 431
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
    • Finger Stretches
      • 12, 13, 14
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
        • 8th notes (60, 80, 90, 100, 120 bpm) legato up neck
  • Theory
    • Pentatonic Scales
      • Position 1 all twelve roots
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
      • Position 1 – 3 with legato and slides
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
      • Positions 1, 5, 4 (down neck) with legato and slides
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
    • Various blues, rock, and jazz licks derived from pentatonic scales
      • Various scale positions up and down neck
        • 50%, 60%, 75%, 100%
        • practiced until perfected, then 10x each
    • 12-bar blues progressions in keys of A, E, B, D, G
      • Varying strumming patterns
      • 4/4 time at different 80 – 140 bpm
  • Repertoire
    • 12-bar Blues Fingerpicking – Keys of A, E, G

11/6 and 11/7 Time: 2 hours

Total Time: 24 hours

Time Remaining: 9,976 hours

Masterclass: Tommy Emmanuel – Thumbpicking

I got turned on to Tommy Emmanuel several years ago. In what context, I don’t remember. But what I do remember is being drawn to his high-energy virtuosity.  His playing blew me away. As a fan of fingerpicking technique (I much prefer the fingers over a pick), I appreciate what he teaches in this video. As a re-learner of guitar, I’m more keenly appreciative of what he says between 10:00 and 10:45 of the video. What follows is an excerpt of what he says during these forty-five seconds:

“…keep it simple as long as possible, don’t try and rush ahead to more difficult songs just because you think it might be more exciting, you’ve got to give yourself a chance to build up this technique and to understand it — this is all new stuff…”

-Tommy Emmanuel, Thumbpicking Masterclass

While what he says is nothing new to me, for whatever reason at this stage in my life it finally makes sense. I’ve now touched on the value of going slow to go fast several times. In the past, I used to think I was trading-off the frustration of practicing slowly for the frustration of trying to tackle a challenging song. I always erred on the side of tackling the challenging song. I’m not sure, ultimately, that the fruits born from this tree were more ripe and tasteful than the fruits born from the other tree. I’m beginning to experience, however, that the tree rooted in slow, deliberate practice while grounded in technique and theory is already having a profound impact on my playing.

What I love most about this video, and why I’m sharing, is just how elegant Tommy Emmanuel’s instruction is given his virtuosity. I’ve seldom seen such instructional clarity from some who just “gets it”. Whether you’re a fan of fingerpicking, great instruction, Tommy Emmanuel, phenomenal guitar playing or some combination thereof, here’s something for you to enjoy.

Make it a phenomenal day!

Day 13 – The Profundity of It All

Last night was very profound for me in many ways.

Slow is Fast
Slow, structured practice sessions are paying huge dividends.  While I’ve already elucidated upon this, I must reiterate it. I’m more accurate, more fluid, and feel more musical as a result of my slower-paced, structured practice regimen.  As stated in yesterday’s post, I don’t have a reliance on memorizing tab anymore.  I still use it to get the gist of things as I’m learning, but I’m not thinking: 5 – 8 – 8 (Low-E), 5 – 7 – 7 (A-string), and so on.  I’m hearing the sounds, instead. My fingers are drawn to what I hear versus what number I see.  What a liberating experience.  What a profound realization!

The Power of Support
Last night as I sat here in the office playing guitar, my wife sat beside me (as she does on most days and nights I work in the office).  We have an amazing connection. While we’re fully capable of living life apart from one another, we cherish time together. If what it is we’re doing lends itself to being together, we spend time together. While the time together is nice, what it’s truly indicative of is the level of support she gives me to pursue my playing (and other endeavors).

Michelle, my wife, and I are are each at our second go at marriage.  I’m glad we found each other, as is she. We were meant to have found one another, we most certainly were. We share a love and support of one another that was void from each of our first marriages.

My aim is not to turn this into a sappy love story (though I’m not ashamed to call it that), but to expound on the joy I find in playing as a result of the support she gives me to pursue my retirement dreams of playing guitar professionally. You see, this hadn’t always been my norm — neither the support or the joy.

I started playing guitar well before I met my first wife. I played day and night stealing licks from Stevie Ray Vaughan, Jimi Hendrix, and Buddy Guy, among others. I had gotten quite good, actually. It was very common for people to hear me playing and ask me who I was listening to. It was always fun to share that it was me who they heard playing.

This period of life, however, was short-lived.

While I won my ex-wife over (in part) with a serenade of a song on my acoustic guitar, her interest in my guitar playing endeavors was short-lived. She saw my guitar playing as a waste of time. She grew tired of me listening to the same songs over and over again in an effort to learn their riffs and licks. She saw my guitar playing as interfering with getting work done around the house, though it never interfered with any of the work I did (time management, interestingly, is something I take great pride in — it’s how I’m capable of achieving the many varieties of things I do). She complained about the noise, despite the fact I often played through headphones plugged into one of my practice amps behind the closed doors of the office that she wasn’t sitting in.

That was a lot of “shes”!

While there’s certainly more I can elaborate on in the context of my ex-wife’s lack of support of my playing, my aim is not to publicly bash her. My aim is merely to present the argument that pursuing one’s passion is challenging when those with whom you share a life don’t support your pursuit of said passion. As a result, my playing became sporadic at best. I completely lost the passion to play and developed the belief that I’d never be able to do anything with it. I started slowly selling off gear. I started preparing myself to move on from playing guitar ever again.

Last night as I was laying in bed reading, I rolled over toward Michelle and said, “Thank you.” She asked, “What for?”  I told her that I was thankful for her support and appreciation of me playing guitar.  Furthermore, I was appreciative of her support of me working to become a professional musician. She responded by saying, “That’s what we do for each other…we support one another.”

When Michelle and I met nearly three and a half years ago, we made a commitment to one another that we’d put each other and our collective relationship first so that we could be the best we could be for our families and friends. This notion was foreign to both of us in the contexts of our previous marriages. This commitment is paying huge dividends for a strong, united relationship in the context of our marriage, our relationships with our children, with family and friends, and in professional lives as educators. This commitment is paying huge dividends in the context of me pursuing my dream of becoming a professional guitar player.

I’ve found a passion for playing guitar again that I haven’t had since I first played some thirty years ago. I could argue that my impending (though still off in the distance) retirement has provided ample pressure to get my act together. While there’s certainly merit to be made for this argument, the freedom and flexibility I’m allowed to be me — to do me — in the context of my relationship with Michelle is more likely the root cause of this inspiration. I’m now allowed to pick up my guitar at any time, day or night and simply play when the inspiration strikes. I’m not condemned or belittled for it, but encouraged.

I never realized the degree(s) to which I could find inspiration and productivity in the context of being allowed to be me. It’s taken a lot of reflection and adaptation these past three and a half years, getting used to being “me” again, but it’s reflection and adaptation that is leading to better outcomes and better experiences.

It’s been a beautiful experience to play guitar again. It’s been beautiful experience to find me again.

What a profound realization!

Agenda for November 5, 2018

  • Warm-Ups/Technique
    • 1234, 4321
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
    • 1234, 2341, 3412, 4123
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up each string starting at high-E
    • 134, 341, 431
      • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
    • Finger Stretches
      • 12, 13, 14
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
        • 8th notes (60, 80, 90, 100, 120 bpm) legato up neck
  • Theory
    • Pentatonic Scales
      • Position 1 all twelve roots
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
      • Position 1 – 3 with legato and slides
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
      • Positions 1, 5, 4 (down neck) with legato and slides
        • 8th notes (60, 80, 90, 100, 120 bpm) alternate picking up neck
    • Various blues, rock, and jazz licks derived from pentatonic scales
      • Various scale positions up and down neck
        • 50%, 60%, 75%, 100%
        • practiced until perfected, then 10x each
    • 12-bar blues progressions in keys of A, E, B, D, G
      • Varying strumming patterns
      • 4/4 time at different 80 – 140 bpm
  • Repertoire
    • Everybody Hurts – REM
    • Thinking Out Loud – Ed Sheeran
    • Take It Easy – Eagles
    • Silent Lucidity – Queensryche
    • Tin Man – America
    • Horse With No Name – America
    • Hallelujah – Leonard Cohen
    • 12-bar Blues Fingerpicking – Keys of A, E, G

Today’s Time: 2 hours

Total Time: 22 hours

Time Remaining: 9,978 hours

 

Days 5, 6, 7, 8 – Finding Time to Write and Overcoming Motivational Issues

Finding Time to Write
While it’s not been difficult to find time to play guitar, I have found it difficult to find time to write.   I spent this past weekend away from home.  While this didn’t present any hardships finding time to play (I took my Martin backpacker guitar with me), I found it difficult to write — no laptop, no internet connection.

In enjoy the writing.  While I’d venture to guess there’s not a large audience for somebody’s journaling of their guitar learning journey, I still find it cathartic (and necessary) to put my ruminations about the experience in print.  If nothing else, there’s a degree of accountability to myself (and the scant few who come across these pages) to practice (and get better at) playing guitar.

While I’ve not been putting words to print on a daily basis, I’ve been jotting notes along the way.  They keep fresh in my mind the things I’ve practiced and the lessons learned along the way.  What’s more, this journaling has given me a basis upon which to shape the text of this blog.

So, with all of this in mind (assuming anybody is reading these pages), I will make every attempt to write on a daily basis.  However, it’s probably much more realistic that I’ll be posting only several days a week — the bulk of the entries posted during the weekends.

Overcoming Motivational Issues
When I’m deeply passionate about something, I have great capacity to find joy in the process.  A by-product of finding this joy is a deep (and focused) commitment to practicing/learning.  What’s been odd about my guitar journey, however, is the disconnect between my joy of playing guitar and my desire to practice.

Why does any of this matter?  It doesn’t really, though for me it’s been defeating.  You see, my lack of desire to practice stems from a lack of motivation.  Motivation is both fleeting and unreliable.  My lack of motivation can be rooted to some degree in the following:

Practice, on most days, begins with drudgery.

  • Warm-ups suck
  • Dexterity exercises suck
  • Scale practice most often sucks
  • Metronomes suck

I love playing!  But, if I start with playing songs, I get discouraged because I’m not adequately warmed-up enough to appreciate my playing.

  • My hands cramp
  • I’m stiff
  • My tone sucks
  • I make errors in the fretting of notes and chords

What’s a person to do?  Well, I’ve done a few things.  Here’s what they are:

  • I’ve set goals — practice goals, weekly goals, 3-month, 6-month, and 9-month goals.  I measure and adjust accordingly.  I love reaching goals and establishing new ones.  This gives me a feeling of accomplishment.
  • I plan (within some degree of reason) each practice (another topic for another day).
  • Each practice item is a check mark – I’m motivated by check marks, even when I otherwise lack motivation.  Similar to goals, I love checking things off a list.  This gives me a sense of accomplishment.
  • Practicing songs is my reward – good, bad, or otherwise, I love making music.  As much as the preamble to practicing repertoire sucks, I persevere such that I can get to this part of my practice time.

I realize that the aforementioned may be perceived as nothing more than mind games, but they’re mind games that work — for me.

Getting started at guitar practice for me is akin to the days that I’d go on training runs in preparation for marathons and half-marathons.  I loved the marathons and half-marathons.  I, however, hated training runs — at least the first 2-3 miles.  You see, the first two to three miles of every training run were stiff and plodding, kind of like the first 15 – 30 minutes of guitar practice.  I, however, loved the endorphin high and the meditative state I’d achieve after the first few miles.

Now, I don’t get an endorphin high (not yet at least) while playing guitar.  I can, however, reach a meditative state after a while — a state in which things flow with seemingly effortless fluidity.  I get lost in songs.  Calculated movements become less calculated — fingers go where the music tells them to go, as opposed to where my mind had previously strained to direct them.  I feel both competent and confident about my playing when I achieve this state.

As a runner, I overcame the first 2 – 3 mile doldrums by affirming that I was soon to experience the meditative high I so enjoyed.  This often got me out the door in a timely manner and within 15 – 20 minutes of each run I was locked in.  The same self-talk is required of me in picking up the guitar to practice.  While picking up the guitar is not hard for me, picking up the guitar to practice is.  If I don’t pick up the guitar with intention, I know that I’ll soon be noodling on it rather than purposefully growing my chops.

So, prior to picking up the guitar, I run through the following:

  • What my goals for practice are
  • The order of events and how I’ll tackle them
  • The affirmation that after about half-hour to forty-five minutes I’ll be working on repertoire — the part of practice I so enjoy

Mind games?  Perhaps. But, for me, helpful.

Agenda for 10/25, 10/26, 10/27 and 10/28
With all of this talk about practice, I must confess, I didn’t get a chance to practice today (10/29).  I had meetings after school until after 7:00, completed my ballot (it’s election season) and completed the draft of this blog entry.

Nonetheless, I’ve been spending time prior to practice each day honing in on how I want to approach technical development.  The ins-and-outs of this process and its outcomes will be elaborated on in a future post, so I’ll not say too much about all of the exercises I’ve gone through over the past few days.

My repertoire hasn’t changed at this time, so I’ll not be addressing that either.  I have, however, been playing around with a couple of songs I played quite a number of years ago and have been thinking about adding them to my repertoire for no other reason than to broaden my scope and keep things interesting.  The songs?  Silent Lucidity by Queensryche and Tears In Heaven by Eric Clapton.

With that, here are my hours for the past few days:

10/25, 10/26, 10/27 and 10/28 Time: 6 Hours

Total Time: 12 hours

Time Remaining: 9,988 hours

Day 4

Well, got a couple of hours under my fingers tonight.  It was a good night.

I didn’t do anything really technical, nor was I very deliberate in my practice.  I simply practiced a lot of songs, over and over and over.

I did video record myself.  It’s an exceedingly awkward process.  The audio quality sucks and the video lags.

I’m using a Logitech HD 1080P camera of some sort to record the video and the audio. I’ll certainly have to figure out how to better capture video if I’m going to post any of my progress.  I don’t mind being scrutinized for the quality of my playing, but I don’t really feel like getting bashed for the quality of the audio and video.

As I stated above, recording yourself is an awkward process.  It’s not so much that I feel uncomfortable in front of the camera, but I’m distracted by both the camera and video playback as I record what I’m doing.  It’ll take some getting used to, but I’ll manage.  It’ll just take some time.

On another note, I realize why I miss playing guitar.  When I was playing guitar consistently for a period of time some years ago, I would experience these moments when I played that were meditative in nature.  I achieved a state of mindfulness, a state of being present in the current moment, tonight.  It’s an amazing feeling.  I’m sure other people have these experiences when they play.  They’re hard to quantify.  For me, the best way to describe what is going on at these moments is deep connectedness and presence.  There’s an insane clarity and comfort that is achieved.

Anyway…tonight was fun.  I blasted through quite a few songs tonight.  Here’s what I played:

Agenda for October 25, 2018

  • Everybody Hurts – REM
  • Thinking Out Loud – Ed Sheeran
  • Take It Easy – Eagles
  • Blackbird – The Beatles
  • Tin Man – America
  • Horse With No Name – America
  • Hallelujah – Leonard Cohen

Today’s Time: 2+ hours

Total Time: 6 hours

Time Remaining: 9,994 hours

Guitars – Part 1

Here are a couple of my guitars.  I have five of my own.  I had more, but sold some of them off a couple of years ago thinking that I’d never play guitar again.  At the time it was somewhat cathartic as I felt I’d made a definitive decision to move on from guitar, given that I’d not been serious about it in many years.  Needless to say, I’m a bit bummed now that I let go of them.  Live and learn.

Anyway, the first guitar is my baby.  It’s a 1997 Fender American Standard Stratocaster. While I had owned several guitars prior, it was my first nice guitar.  I could tell instantly that there was something to be said for the playability of nicer guitars over cheaper, less expensive guitars.  My dad sent it to the school I was teaching at as a surprise on my 30th birthday.

FenderStrat
1997 Fender American Standard Stratocaster

The next guitar was my most recent purchase.  I picked this guitar up during a post-divorce spending spree (actually, I picked up several guitars).  This is my Takamine P5NC. I have a love/hate relationship with it.  I love the way it feels in my hands and I love the way it looks, but I can’t seem to get a tone out of it I can appreciate.  I know that tone is really in my hands, so I’m fighting it right now to figure it out.  I practice on this guitar more than any of my others because I want to master it.

Takamine
2015 Takamine P5NC

Day 3.5

Not really half a day, but I kinda practiced last night and fully practiced tonight.

Last night, I had a FaceTime conversation with my daughter, who’s away at college.  It was great to talk to her, but after a long day of work the FaceTime conversation distracted me from playing guitar.  Sitting here at my desk, however, it was hard to keep my hands off the guitar while we talked.  I didn’t do anything deliberate; mostly noodling.

I found the distraction of talking while noodling on the guitar a rather interesting experience.  Rather than moving up and down the neck with a focused attention, my hands were moving up and down the neck with a sense of freedom.  There was an ease and comfort I felt, having freed my mind from the fretboard and letting my fingers work. Now, to be fair to anyone who reads these posts, I can’t admit that anything I was doing was too musical.

Despite any real musicality, I was playing the varieties of chords and chord progressions with a great deal of accuracy.  In addition, I was playing through my scale patterns (using a lot of legato and slides to accentuate my practice) with a great deal of fluidity.  Needless to say, it was fun.

The conversation with my daughter, while a distraction from deliberate, mindful practice sparked inspiration.  As I chatted with her, the guitar rang in the background. She hasn’t heard me play guitar in six or seven years.  She asked me, “Are you playing guitar again?”  I told her, “Yeah, I just picked it up again this past weekend.” She responded with an emphatic, “Yay, I’m happy for you!”

I was surprised by her happy, supportive response.  She knows, however, how much I’ve loved guitar but how elusive playing has been for me.  Nonetheless, her emphatic response further spurred my resolve to grind on.

I added a couple of songs to my repertoire today: Tin Man and Horse With No Name, both by America.  The chord progressions themselves aren’t difficult.  The strumming patterns, however, are a bit wonky.  I’ve never been much for trying to implement strict strumming patterns per the artist’s original implementation, but play by feel.  I’ve decided, however, that as I learn guitar this time around, I want to play each song with some sense of authenticity…realism.

I’d like to get the six songs I’ve been practicing locked down over the next month or so. In doing so, I’d like to move on to some more challenging material. But, what I’d really like to do is perform these songs somewhere, with someone else on vocals.

Anyway…here’s what practice looked like today.

Agenda for October 24, 2018

  • Alternate picking exercise
    • E harmonic minor scale on the open E string
    • 16th notes (60, 70, 80, 100 bpm)
  • String skipping exercise
    • Skipping strings through the 6th root minor pentatonic shape
    • 8th notes, (80, 90, 100, 112 bpm)
    • C root, G root, D root, A root, E root, B root
  • Legato exercise
    • Hammer-ons through the 6th root minor pentatonic shape
    • 8th notes, (80, 90, 100, 112 bpm)
    • C root, G root, D root, A root, E root, B root
  • Song Practice
    • Everybody Hurts – REM
    • Thinking Out Loud – Ed Sheeran
    • Horse With No Name – America
    • Tin Man – America

Today’s Time: 2 hour

Total Time: 4 hours

Time Remaining: 9,996 hours

Day 2

Well, first things first.  I learned that trying to create a blog post on an iPad from the comfort of my bed is a recipe for disaster.  My last post was fraught with typos and formatting issues.  Will certainly have to stick with the desktop as a means in which to document my journey.

It feels good to get two consecutive days of deliberate (mostly deliberate) practice in. Though I haven’t really played in quite some time, I feel like my dexterity is there and my fingers haven’t been too sore. Despite my high level of comfort with the instrument, I’m going to take things slowly.  My son (a bass player, himself) had to remind me to engage with the metronome.  I don’t know how many times I’ve told him that over his years of practice.  The student has now become the teacher.

On another note, got another hour in tonight.  Would have liked to have gotten more in, but I had a late night at school.  Nonetheless, here’s what my practice looked like today.

Agenda for October 22, 2018

  • Alternate picking exercise
    • E harmonic minor scale on the open E string
    • 16th notes, no metronome (need to use one)
  • String skipping exercise
    • Skipping strings through the 6th root minor pentatonic shape
    • 8th notes, no metronome
    • C root, G root, D root, A root, E root, B root
  • Legato exercise
    • Hammer-ons through the 6th root minor pentatonic shape
    • 8th notes, no metronome
    • C root, G root, D root, A root, E root, B root
  • Song Practice
    • Everybody Hurts – REM
    • Thinking Out Loud – Ed Sheeran

Today’s Time: 1 hour

Total Time: 2 hours

Time Remaining: 9,998 hours

Day 1

Today was spent primarily setting up the blog.  I did, however, manage to get some practice time.  I got just over an hour on the guitar today.  I tried to be deliberate in my practice, though this is something I’m going to have to get better at.

Agenda for October 21, 2018

  • Warm-up (1234, 4321) up and down neck, across all strings
  • Pentatonic scales (connecting all five positions, no metronome)
  • Song practice
    • Everybody Hurts – REM
    • Thinking Out Loud – Ed Sheeran
    • Hallelujah – Leonard Cohen
    • The Best of My Love – Eagles

Today’s Time: 1 hour

Total Time: 1 hour

Time Remaining: 9,999 hours